Raw Company | Rabid theatre

"Rabid" Theatre press kit page

Rabid Theatre

SYNOPSIS:

“Rabid” starts from a catwalk. At the very beginning of the play, the audience is faced with a fashion show but gradually it turns into something else. So, it gets to a point where costumes don’t matter anymore and what happens to these people starts to matter. From this point on, people are led by the system. These people come to a genderless state and the catwalk actually becomes the whole wide city... ( this play is totally without any dialogues and the catwalk format will continue throughout the play)

HOSEIN POURIANIFAR

(Born in 1989 August 29) Iran

Papatiha Theater Group

B.A. of Theatre Directing from Soore University

Graduated from Epidaurus Theater School/ Greek/2018

Director's statement

My show shaped from the heart of the society and the world that I living in; Tehran.

For me Tehran is a symbol of poverty, capitalism, regret, cavity, immigrate and etc. there are so many talking bodies and silent tongues, by the way I think my work is worldwide and basically, it’s a real concern for modern man.

This work takes time quadruple more than my other works. The work was a concern of the whole team and this makes everything real.

Because of our performing method and having less experiences in our theatre; The show was hard to connect with the usual theatre audience.

At the end, the concept of “rabid” is a produce of every body’s ignore the ambit.

scene picture

CAST & CREW

Author.Disigner and director
Hossein pouryanifar
group name: papatiha
cast:
sepandar aalam
bardia mashhoodi
mahdi ghorbani
akbar salmani
alireza ashoori
milad afvaj
javad karegar
shahab rahmani
artistc advisor: narges niksirat. amir saatchi
sound designer & music: matin habibian
graphic designer: maryam baradaran
lighting designer: niloofar naghib sadati
costume designer: sara mozhdeh
stage manager: mehrkoosh alizadeh
mersede naghizadeh
excecutive producer: amir ghalichi
assistant to the director: miragha bahari. vania aghazadeh. elahe shayan rad
photographer: ali maleki

OUR FEATURES

More information

DIRECTED THEATER PERFORMANCES:

*Column

*Shinion: Performed in IUTF (Iranian Universities Theater Festival) / Public Performance in Molavi Theater center/2018

*Apocalypse or Dead less: performed at 20^th IUFT

*Rabid: Performed in 20^th IUTF/ 37^th Fadjr Theater Festival/ Public Performance in Iranshahr Theater Hall

AWARDS:

*Selected Performance for ”Shinion” / IUTF (Iranian Universities Theater Festival)

*Statue of best Director for “Rabid” 20^th IUTF

Necessary Cast:

At Least 7 Actors & Costume designer and an assistant

Technical Conditions:

A 2*16 meters light line and a 55 inches TV with a qualified sound system

Perform Method

This show can be performed on off-stages and not regular scenes but it needed a ceiling or a roof. For example, at a theatre lobby, a garage, an old factory and every place that has a least 12 meters width (the longer is better)

There is no sketch for stage design and costumes. We use the costumes in a different way and they have a large volume but, there is no sketch.

About designing stage and light: these issues can place in different ways in different spaces and they’re not immobile. The only matter is having audiences on two sides, 13 meters width and a light for the scene.

The cast must be 10 persons at least so they can perform the show. the alternate way to perform the show is travelling just 3 persons from Iran and the other actors can be from the destination country, with 2 weeks rehearsal we can produce a common work.

The most important thing about this show is the stage designing needs don’t need any constructions. We just need to a 70 inches LCD TV and the other accessories can be portable things carried by the actors.

Rabid Theatre

watch trailer

Rabid Theatre

SYNOPSIS:

HOSEIN POURIANIFAR

(Born in 1989 August 29) Iran Papatiha Theater Group B.A. of Theatre Directing from Soore University Graduated from Epidaurus Theater School/ Greek/2018

Director's statement

My show shaped from the heart of the society and the world that I living in; Tehran.

For me Tehran is a symbol of poverty, capitalism, regret, cavity, immigrate and etc. there are so many talking bodies and silent tongues, by the way I think my work is worldwide and basically, it’s a real concern for modern man.

This work takes time quadruple more than my other works. The work was a concern of the whole team and this makes everything real.

Because of our performing method and having less experiences in our theatre; The show was hard to connect with the usual theatre audience.

At the end, the concept of “rabid” is a produce of every body’s ignore the ambit.

scene picture

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scene picture

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scene picture

CAST & CREW

More information

DIRECTED THEATER PERFORMANCES:

AWARDS:

Necessary Cast:

Technical Conditions:

Perform Method

This show can be performed on off-stages and not regular scenes but it needed a ceiling or a roof. For example, at a theatre lobby, a garage, an old factory and every place that has a least 12 meters width (the longer is better)

There is no sketch for stage design and costumes. We use the costumes in a different way and they have a large volume but, there is no sketch.

About designing stage and light: these issues can place in different ways in different spaces and they’re not immobile. The only matter is having audiences on two sides, 13 meters width and a light for the scene.

The cast must be 10 persons at least so they can perform the show. the alternate way to perform the show is travelling just 3 persons from Iran and the other actors can be from the destination country, with 2 weeks rehearsal we can produce a common work.

The most important thing about this show is the stage designing needs don’t need any constructions. We just need to a 70 inches LCD TV and the other accessories can be portable things carried by the actors.

Rabid Theatre

PRESS LINKS

(Born in 1989 August 29) Iran

Papatiha Theater Group

B.A. of Theatre Directing from Soore University

Graduated from Epidaurus Theater School/ Greek/2018